Jimmy Yancey - Piano Solos

Here is another cool vinyl rip in high resolution for you.
This is an Italian-only collection of Jimmy's early (all tracks taken from a session done in New York in April 1939).

Tracks:

1.Jimmy's Stuff
2.Rolling The Stone
3.Steady Rock Blues
4.P.I.K Special
5.South Side Stuff
6.Yancey's Gateway
7.La Salle Street Breakdown
8.Two O'Clock Blues
9.Janie's Joys
10.Lean Bacon
11.Big Bear Train
12.Lucile's Lament

Password and Link:
mississippimoan
WAV File, 210 mb
http://www.filefactory.com/file/xgzrx4kwwg3/jyps1939.rar

Guitar Slim/Jelly Belly: Carolina Blues-New York City 1944 (1997) Arhoolie 460

Review:

Pure authentic country blues in the East Coast tradition from guitarists and singers Alex Seward and “Fat Boy” Hayes, billed as Guitar Slim & Jelly Belly on these recordings made in the 1950s. The two alternate as vocalists and even trade off verses on some selections. Alex Seward (Guitar Slim), a friend and associate of Brownie McGhee's, sings in a polished, urban style while Mr. Hayes contributes the rougher, rural vocals. The CD contains nearly the entire commercially recorded output of the duo.

“Their heyday was the '40's and they were one of the last outposts of the then outdated country blues, although with a very sophisticated city overtone. Their playing meshed beautifully together as did their voices ... an amazing bargain for anyone who loves the gentler sounds of the Carolinas.”

Tracks:

1. Ups And Downs Blues
2. Crooked Wife Blues
3. Snowing And Raining
4. No More Hard Time
5. She's Evil And Mean
6. Mike And Jerry
7. Don't Leave Me All By Myself
8. South Carolina Blues
9. Crying Won't Make Me Stay
10. Big Trouble Blues
11. Humming Bird Blues
12. Right And Wrong Woman
13. Southern Whistle Blues
14. Jail And Buddy Blues
15. Mean Girl Blues
16. Travelin' Boy's Blues
17. Railroad Blues
18. Yellow And Brown Woman
19. Bad Acting Woman
20. Christmas Time Blues
21. Cooking Big Woman
22. You're My Honey
23. Early Morning Blues
24. Isabel
25. Hard Luck Blues
26. Unhappy Home Blues
27. Working Man Blues
28. Why, Oh Why
29. Betty And Dupree

Password and Link:
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mp3 320 kbps
http://www.filefactory.com/file/1u1ece3rkv03/gsjbcb.rar

Jimmy Liggins and His Drops of Joy - Recorded Between 1947 and 1953, Released in 1978.

Review:

The music of Jimmy Liggins differs greatly from his elder brother Joe's in many respects. Whereas Joe was a more schooled musician, Jimmy was harder, brasher and altogether from the rougher and cruder side of the street. This 25-track collection brings together all the notable tracks Jimmy recorded for Art Rupe's Specialty label between 1947 and 1954. The music Liggins made during his stay at the label produced several R&B hits, most notably the jump-blues perennial "Drunk" (complete with crudely overdubbed lead vocal) and the proto-rock & roll classic "Cadillac Boogie," which in turn provided the basis for Jackie Brenston's "Rocket 88."

Password and Link:
mississippimoan
mp3 128 kbps - 55 Mb
http://www.filefactory.com/file/b309ae3/n/jljlahdoj_rar

Brownie McGhee - The Complete Brownie McGhee - Recorded Between 1940 and 1941, Released in 1994.

Review:

Well, complete as far as his pre-war country blues waxings for OKeh sans Sonny Terry (except for one or two where the whooping harpist provided accompaniment). Mc Ghee was working firmly in the Piedmont tradition by 1940, when he signed with OKeh and began cutting the 47 enlightening sides here, which represent some of the purest country blues he ever committed to posterity.

Password and Link:
mississippimoan
mp3 320 kbps - 210 Mb
http://www.filefactory.com/file/b4f18b5/n/bmgtcbmg_part1_rar
http://www.filefactory.com/file/b30b8g4/n/bmgtcbmg_part2_rar

Doctor Clayton - Doctor Clayton , 1935- 1947, Released in 1993.

Review:

Pairing Doctor Clayton and Sunnyland Slim on the same compilation makes good sense for a number of reasons. Generally speaking, both men were influential participants in the Chicago blues scene of the 1940s. More specifically, they had a lot of players in common, including pianist Blind John Davis, guitarists Robert Lockwood and Big Bill Broonzy, and bassist Ransom Knowling. The most obvious similarity between Doctor Clayton and young Sunnyland Slim was their extroverted vocal delivery, bravely introduced by Clayton during the years 1935-1942 and revived with a vengeance by Sunnyland in 1947. Clayton's part of the package begins with "Peter's Blues" and its flipside, the naughty "Yo Yo Jive," recorded in July 1935. Nine selections from 1941 include an outspoken report on the Nazi occupation of Europe and a fine cover version of Walter Brown and Jay McShann's "Confessin' the Blues." Unfortunately Clayton drank himself to death in January 1947, derailing a stalled career that otherwise could have led to his success as one of the great extroverts of rhythm & blues and rock & roll. When Victor released the records cut at Sunnyland's session of December 10, 1947, they billed him as "Doctor Clayton's Buddy." This was actually based in fact; the two men knew each other and ran with the same crowd. Furthermore, they sounded a bit alike, as Sunnyland honored his deceased colleague by adapting Clayton's hollering and screaming technique to suit his own needs. In this way, both men broke the ice and paved the way for rowdy rockers like Wynonie Harris, Professor Longhair, Little Richard and Screamin' Jay Hawkins. Clayton's complete works (with the exception of a tiny bit of material from 1946) were reissued by Document Records in 1994. Sunnyland's work from the 1940s has been exhaustively revisited by both the Classics and JSP labels. This little Story of the Blues sampler from 1993 is an excellent way to enjoy both artists and to compare their extraordinary styles. Feel free to scream along if the feeling comes and gets you.

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mp3 - 90 Mb
http://www.filefactory.com/file/b3184d4/n/dcandhb19351947.rar

John Lee Hooker - Jack O'Diamonds - Recorded in 1949, Released in 2004.

Review:

The material on Jack o' Diamonds was recorded in 1949 but never released at the time due to John Lee Hooker's vast contractual problems. Even at this earliest point in his career, Hooker was tied up in contracts that would see him recording under several aliases in order to make some quick cash. These 20 cuts were recorded at a private gathering in the Detroit dining room of Gene Deitchat, who set up a primitive recording device and let Hooker play. During the course of the evening those present began requesting that he play a few spirituals and folk tunes. It's interesting to hear Hooker bite into such traditional fare as "Two White Horses," "Trouble in Mind," "John Henry," and "Jack o' Diamonds." Since these recordings have been cleaned and remastered, this disc is well worth picking up for Hooker fanatics.

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mp3 VBR - 59 Mb
http://www.filefactory.com/file/b340905/n/jlhjod.rar

Arthur Big Boy Crudup - That's All Right Mama (Bluebird) - Recorded Between 1941 and 1954, Released in 1992.

Review:

If Arthur "Big Boy" Crudup had never made another fan in the course of his career than a certain young kid in Memphis, TN, his place in music history would still have been assured -- Elvis Presley often cited Crudup as one of his favorite blues artists, and the future "King of Rock & Roll" recorded three of Crudup's songs ("That's All Right, Mama," "My Baby Left Me," and "So Glad You're Mine"), bringing them to a far wider audience then their original author would ever enjoy on his own. Anyone expecting to hear Elvis' primal influence on That's All Right, Mama, a compilation of 22 songs Crudup recorded for the RCA-affiliated Bluebird label between 1941 and 1954, might be a bit disappointed -- for the most part, this is rough-and-ready rural blues, dominated by Crudup's big, boomy voice and simple but efficient guitar runs, though by the end of the disc, drums, electric guitars, and even saxophone have begun to creep into the mix, suggesting a stripped-down but high-powered Chicago blues combo. In short, this isn't rock & roll, or even rhythm & blues, but pure blues stuff, and it certainly makes clear that Presley's influences were a lot rawer and deeper than most folks would lead you to believe. That's All Right, Mama also reveals that Crudup deserves to be known as more than just the guy who Elvis liked -- this is a tough but good-grooving blues collection that should please those who like their blues straight with no chaser.

Password and Link:
rukusjuice
mp3 160 kbps - 68 Mb
http://www.filefactory.com/file/ca64f40/n/abbctarm.rar

Roy Brown - Good Rockin' Tonight - Recorded Between 1947 and 1957, Released in 1994.

Review:

An unassailable 18-cut cross section of the monstrously popular and influential New Orleans jump blues shouter's sides for the DeLuxe, King, and Imperial labels that spans 1947-1957 and takes in his seminal " Good Rocking Tonight" (where it all began!), " Rockin' at Midnight," "Boogie at Midnight," and "Love Don't Love Nobody"; the almost unbearably tortured "Hard Luck Blues"; and the unbelievably raunchy two-parter "Butcher Pete." Looking for the origins of rock? Here they are!

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mississippimoan
mp3 128 kbps - 43 Mb
http://www.filefactory.com/file/b364a85/n/rb.rar

Blind Boy Fuller - East Coast Piedmont Style - 1991.

Review:

Blind Boy Fuller, who died in 1940 when he was only 33, recorded extensively during 1935-1940. His guitar playing was in the tradition of the ragtime-influenced Blind Blake and Blind Willie McTell while his singing was simple and direct. The music on this CD reissue becomes a bit repetitive after awhile for Fuller generally lacked variety but, taken in small doses (as if one were listening to the original 78s and treasuring individual songs), Blind Boy Fuller's performances were often memorable. The reissue is a cross-section of his work with the emphasis on his earliest recordings. Guitarist Blind Gary Davis, Bull City Red on washboard and harmonica wiz Sonny Terry help out on a few numbers; five of the 20 selections were previously unreleased.

Password and Link:
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mp3 192 kbps - 80 Mb
http://www.filefactory.com/file/b370chc/n/bbfecps.rar

Dave Bartholomew - The Chronological Dave Bartholomew 1947- 1950 - Released in 2001.

Review:


Part of Classics' chronological series, 1947-1950 collects many of New Orleans trumpeter/vocalist Dave Bartholomew's early sides recorded well before his legendary association writing songs for '50s rock icon Fats Domino. Fitting nicely into the postwar jump blues style, Bartholomew actually came out of the New Orleans brass band tradition. Although his big fat trumpet sound can be directly linked to such influences as Louis Armstrong and Roy Eldridge, his idiosyncratic penchant for bending notes is actually more reminiscent of guitar legends like Guitar Slim and T-Bone Walker. Included here are such bluesy and raucous tunes as "Mr. Fool," "That's How You Got Killed Before," and "Poppa Stoppa Theme Song," which has to go down as the hippest radio show theme since "Jumpin' With Symphony Sid."

Tracks:

1-Stardust
2-She's Got Great Big Eyes
3-Dave's Boogie Woogie
4-Bum Mae
5-Mr. Fool
6-Country Boy
7-High Society Blues
8-Girt Blues
9-Carnival Day
10-That's How You Got Killed Before
11-Messy Bessy
12-Going To Chow
13-Poppa Stoppa Theme Song
14-Ain't Gonna Do It
15-Country Boy Goes Home
16-Ah Cubanas
17-Frantic Chick
18-Good Jax Boogie
19-Tijim

Password and Link:
mississippimoan
mp3 320 kbps - 57 Mb
http://www.filefactory.com/file/b357bd3/n/dbc.rar

John Lee Hooker - The Legendary Modern Recordings , 1948- 1954 - Released in 1994.

Review:

From the beginning of his career, John Lee Hooker recorded prolifically, sometimes for several labels at once, sometimes under a number of pseudonyms. That makes his discography a bit difficult for the collector to sort out, but if you want just one document of his early years, this is the anthology of choice, containing 24 sides from 1948 to 1954 that were issued on the Modern label. These, more than any other, are the recordings that did the most to establish the Hooker prototype -- the over-amplified electric guitar, the moody boogies, the stomping foot rhythms performed without a rhythm section (some sides feature accompaniment by Eddie Kirkland on second guitar). Contains his two most massive early hits, "Boogie Chillen" and "I'm in the Mood," as well as his oft-covered "Crawling Kingsnake." This one can get a bit similar-sounding over the course of two dozen tracks, but little other post-war electric blues can match the stark power here.

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mp3 320 kbps - 101 Mb
http://www.filefactory.com/file/b2d19a3/n/jlh.rar

Smokey Hogg - Deep Ellum Rambler - 2001.

Review

This comprehensive retrospective of Hogg's 1947-1951 work for Modern Records gathers 27 tracks, including the Top Ten R&B hits "Little School Girl" (a Sonny Boy Williamson composition) and "Long Tall Mama," as well as ten previously unissued cuts. If only in hindsight, Hogg at this juncture can be seen to be a link between rural blues and citified R&B, using some accompanying musicians and some electric guitar, but not always going whole-hog into a full-band sound. His phrasing, too, is still grounded in country-blues, but pushed toward more modern forms by some heavily rhythmic backing and barrelhouse piano. It's on the ragged side (pleasantly so) as just-post-World War II blues-cum-R&B goes, the arrangements sometimes giving the impression of being crafted on the spot, though Hogg's vocals are relaxed and authoritative. Sometimes it feels like a link between a Texas bluesman like Lightnin' Hopkins and the West Coast R&B of the late '40s and early '50s; the Modern label, of course, was at the forefront of the Western R&B/blues crossover mix. It's rather similar-sounding in one dose, as most single-artist compilations of material from this time on the Modern label are. Yet it's not as homogenous as some such anthologies are, in large degree because of Hogg's likable vocal persona. Almost everything was written by Hogg except, oddly enough, those two big hits, "Little School Girl" and "Long Tall Mama."

Password and link:
mississippimoan
mp3 128 kbps - 65 Mb
http://www.filefactory.com/file/b37e83b/n/shder_rar

Tommy McClennan - Cotton Patch Blues - 1939- 1942.

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mp3 128 kbps - 36 Mb
http://www.filefactory.com/file/b382cg9/n/tmcpb.rar

Tommy McClennan and Robert Petway - A Guitar King, 1939- 1942.

Tommy's Bio:

A gravel-throated back-country blues growler from the Mississippi Delta, McClennan was part of the last wave of down-home blues guitarists to record for the major labels in Chicago. His rawboned 1939-1942 Bluebird recordings were no-frills excursions into the blues bottoms. He left a powerful legacy that included "Bottle It up and Go," "Cross Cut Saw Blues," "Deep Blue Sea Blues" (aka "Catfish Blues"), and others whose lasting power has been evidenced through the repertoires and re-recordings of other artists. Admirers of McClennan's blues would do well to check out the 1941-1942 Bluebird sessions of Robert Petway, a McClennan associate who performed in a similar but somewhat more lyrical vein. McClennan never recorded again and reportedly died destitute in Chicago; blues researchers have yet to even trace the date or circumstances of his death.

Password and Link:
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mp3 160 kbps - 70 Mb
http://www.filefactory.com/file/b382bba/n/tmagk.rar

Whistlin' Alex Moore - From North Dallas to the Eastside - Recorded Between 1947 and 1969.

Review
Recorded over three separate dates spanning 1947 to 1969, From North Dallas to the East Side is an excellent overview of Moore's singular combination of boogie and barrelhouse; his wildly improvised lyrics are sometimes hilarious, sometimes grim, and always singular.

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mp3 256 kbps - 90 Mb
http://www.filefactory.com/file/b383779/n/wam_rar

Lonnie Johnson - Tomorrow Night .

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mp3
http://www.filefactory.com/file/b37fg8b/n/ljtn.rar

Big Maceo Merryweather - The King of Chicago Blues Piano, Vol.1 - 1984.

Review

Like Leroy Carr and Lonnie Johnson before him, Big Maceo Merriweather helped popularize an urbane rendition of the rough country blues sound. His fetching combination of grainy vocals and smoothly rolling piano split the screen between the gruff ways of the rural South and the sophisticated hum of northern cities like Chicago. And while seen as a predecessor to electric blues innovators like Muddy Waters, Maceo really deserves more attention as one of the best in a long line of acoustic-based blues performers. That's made clear on this fine collection, as he is heard reeling off 16 of his first sides with the great slide guitarist Tampa Red. Cut in Chicago between 1941-1942, tracks like the classic "Worried Life Blues" (later taken up by a young Chuck Berry) effortlessly move along thanks to Maceo and Red's smooth interplay; their intimate style even makes one forget about the drums and bass listed for some tracks. Sporting not only some of Carr's subtle phrasing, but a bit of Fats Waller's rambunctious vocal delivery and stride piano work as well, Maceo's keen mix of both down home and uptown not only makes for great listening, but should help neutralize some of the provincial views of blues performers. A great collection.

Password and Link:
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mp3 128 kbps - 66 Mb
http://www.filefactory.com/file/ca54b18/n/bmm.rar

Josh White - Complete Recorded Works , Vols. 1 to 6.

Review Vol1.
Josh White, who became famous in the 1940s as an accessible and highly intelligent folk singer, began his career as a blues-oriented vocalist and guitarist. Vol. 1 of his complete early recordings starts with a couple instrumental jams from 1929 with the Carver Boys (a quartet consisting of harmonica and three guitars). The remainder of this CD is from 1932-1933, with White heard on some easy-to-take religious songs and as a blues performer. These 24 recordings are all solo numbers other than two selections that have an unknown pianist added. White's voice is strong, and his guitar playing is quite fluent. Among the better numbers are "Black and Evil Blues," "Things About Coming My Way," "Double Crossing Woman," and "Lay Some Flowers on My Grave." This set is particularly recommended to blues collectors who were not aware of Josh White's musical beginnings.

Review Vol.2 .

The second of three Josh White CDs that document the folk singer's early period features him both as a gospel performer (known as "The Singing Christian") and as a blues singer (billed as "Pinewood Tom"). White's guitar playing was quite fluent during this period and he sounds quite authentic in these different idioms. The first two sessions feature him solo and then other selections have Walter Roland, Leroy Carr or Clarence Williams on piano, with two songs adding Scrapper Blackwell on second guitar. Among the better selections are "Welfare Blues," "I Believe I'll Make a Change," "Evil Man Blues," "Black Gal," "Milk Cow Blues" and "Homeless and Hungry Blues."

 Review Vol.3.

 The third of three Document CDs that cover Josh White's early years has 16 selections from 1935-1936 and eight from 1940. In between those periods, White suffered a serious injury to a hand that forced him out of music temporarily. The earlier numbers feature him either as "The Singing Christian" or as a blues singer under the name of "Pinewood Tom." Those duets (with either pianist Walter Roland or guitarist Buddy Moss) are excellent including such numbers as "Jet Black Woman," "Got a Key to the Kingdom" and "No More Ball and Chain." The later eight numbers have White accompanied by bassist Wilson Meyers and, on "Careless Love" and "Milk Cow Blues," the great clarinetist Sidney Bechet. Listeners who think of Josh White as primarily an urban folk singer, will find these performances, and those are the preceding two Document CDs, to be quite intriguing.

Dirty: I didn't find reviews online for the three last albums of this collection... But believe me: They're good!

Password and Links:
rukusjuice
mp3  224 kbps - 677 Mb

http://www.filefactory.com/file/ca4cb5d/n/jwcrw1to6.part1.rar
http://www.filefactory.com/file/c5bdb77/n/jwcrw1to6.part2.rar
http://www.filefactory.com/file/ca4d15e/n/jwcrw1to6.part3.rar

V.A. - Ladies sing The Blues - 1992.

Review

Living Era's Ladies Sing the Blues compiles performances from some of the most popular female blues singers from the '30s and '40s. Lizzie Miles, Ida Cox, Marnie Smith, and Una Mae Carlisle are some of the artists included here, and performances like Bessie Smith's "Empty Bed Blues, Pt. 1-2," Ma Rainey's "Booze & Blues," Billie Holliday's "Long Gone Blues," and Ada Brown's "Evil Mama Blues" showcase the sultry, world-weary, and often humorous stylings of these pioneering blueswomen.

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mp3 320 kbps - 130 Mb
http://www.filefactory.com/file/b39c6c0/n/valstb.rar

Sunnyland Slim and his Pals - The Classic Sides 1947-1953 - 4CD Box Set -2006.

Review

JSP, one of the U.K.'s most active historical reissue labels, presents an outstanding postwar Chicago blues anthology packed with essential recordings made between 1947 and 1955 by Sunnyland Slim & His Pals. Out of the 104 tracks (not 97 as stated on the front of the packaging), 60 are "by" Sunnyland Slim; the other 44 were released under the names of Johnny Shines, Robert Lockwood, Floyd Jones, Leroy Foster, J.B. Lenoir, Jimmy Rogers, and St. Louis Jimmy. Sunnyland sat in on each of these dates; the enclosed discography denies his presence on the Johnny Shines date, although his piano is clearly audible. Born Albert Luandrew (or Loeandrew) in Vance, MS, on September 5, 1906, he sang with Little Brother Montgomery in 1923 and accompanied Ma Rainey on the piano in Portageville, MO, at a time when he only knew how to play in three keys. Luandrew's stage name was derived from a blues he wrote about the Sunnyland, an express locomotive that ran between St. Louis and Memphis. Sunnyland Slim first played Chicago in 1939 and settled there in 1942, making his initial appearance on records with Jump Jackson in September 1946; JSP did not include material from that session and has provided only three of the seven titles cut by Sunnyland Slim and Muddy Waters between 1947 and 1949. What you do get is a core sample of classic sides that Sunnyland cut for 15 different record labels during the Truman and Eisenhower eras. (Note that Johnny Shines actually references both presidents in the words to "Living in the White House.") These pungent performances involved some of Chicago's toughest bluesmen; the roster includes, in addition to the names already mentioned: guitarists Big Bill Broonzy and Lefty Bates; pianist Blind John Davis; legendary Windy City bassists Ransom Knowling and Big Crawford; harmonica ace Snooky Pryor; trumpeter Billy Howell; and saxophonists Alex Atkins, J.T. Brown, Oliver Alcorn, Ernest Cotton, and Red Holloway. Sunnyland Slim outlived almost every single one of his contemporaries. He was well loved and widely respected throughout the Great Lakes Afro-American community as a generous individual who helped others to survive during his long and productive career as one of Chicago's fundamental bluesmen. [This collection was also available as four separate single-disc volumes.]

Tracklist:

CD1
1. Farewell Little Girl
2. Broke And Hungry
3. Illinois Central
4. Nappy Head Woman
5. Across The Hall Blues
6. Walking With The Blues
7. Sweet Lucy Blues
8. No Whiskey Blues
9. Jivin' Boogie
10. Brown Skin Woman
11. My Heavy Load
12. Keep Your Hands Out Of My Money
13. 5 Foot 4 Gal
14. I've Done You Wrong
15. Roll Tumble And Slip (I Cried)
16. Train Time (4 O'Clock Blues)
17. Hard Times
18. School Days
19. Blue Baby
20. I Want My Baby
21. Mud Kicking Woman
22. Every Time I Get To Drinking
23. Bad Times (Cost Of Living)
24. Hard Time (When Mother's Gone)
25. Brown Skin Woman
26. I'm Just A Lonesome Man

CD2
1. Back To Korea Blues
2. It's All Over Now
3. You've Got To Stop This Mess - Fat Man
4. Glad I Don't Worry No More - Fat Man
5. Down Home Child
6. Sunnyland Special
7. Leaving Your Town (No Name Blues)
8. Mary Lee
9. I Done You Wrong
10. Orphan Boy Blues
11. When I Was Young (Shake It Baby)
12. Low Down Sunnyland Train
13. Ain't Nothing But A Child
14. Brown Skinned Woman
15. Hit The Road Again
16. Gin Drinkin' Baby
17. Shake It Baby
18. Woman Trouble (Overnite)
19. City Of New Orleans
20. When I Was Young
21. Bassology
22. Worried About My Baby
23. Troubles Of My Own
24. Worried About My Baby
25. I Done You Wrong
26. Be My Baby

CD3
1. Going Back To Memphis
2. Devil Is A Busy Man
3. Shake It Baby
4. Bassology
5. Four Day Bounce
6. That Woman
7. Be Mine Alone
8. Sad And Lonesome
9. Living In The White House - Shines, Johnny
10. Please Don't - Shines, Johnny
11. Dust My Broom - Lockwood, Robert Jr.
12. Pearly B - Lockwood, Robert Jr.
13. I'm Gonna Dig Myself A Hole - Lockwood, Robert Jr.
14. Dust My Broom - Lockwood, Robert Jr.
15. Glory For Man - Lockwood, Robert Jr.
16. My Daily Wish - Lockwood, Robert Jr.
17. Big World - Jones, Floyd
18. Dark Road - Jones, Floyd
19. Schooldays On My Mind - Jones, Floyd
20. Ain't Times Hard - Jones, Floyd
21. Floyd's Blues - Jones, Floyd
22. Any Old Lonesome Day - Jones, Floyd
23. Pet Rabbit - Foster, Leroy
24. Louella - Foster, Leroy
25. Late Hours At Midnight - Foster, Leroy
26. Blues Is Killin' Me - Foster, Leroy

CD4
1. I Wanna Play A Little While - Lenoir, JB
2. Louise - Lenoir, JB
3. Let's Roll - Lenoir, JB
4. People Are Meddlin' In Our Affairs - Lenoir, JB
5. I Have Married - Lenoir, JB
6. Mountain - Lenoir, JB
7. I'll Die Tryin' - Lenoir, JB
8. How Much More - Lenoir, JB
9. Mojo - Lenoir, JB
10. Slow Down Woman - Lenoir, JB
11. I Want My Baby - Lenoir, JB
12. How Can I Leave - Lenoir, JB
13. Ludella - Rogers, Jimmy
14. I'm In Love - Rogers, Jimmy
15. That's All Right - Rogers, Jimmy
16. Shame On You Baby - St. Louis Jimmy
17. I'm Not Satisfied - St. Louis Jimmy
18. Trying To Change My Ways - St. Louis Jimmy
19. Hard Work Boogie - St. Louis Jimmy
20. Your Evil Ways - St. Louis Jimmy
21. I Sit Up All Night - St. Louis Jimmy
22. State Street Blues - St. Louis Jimmy
23. Mother's Day - St. Louis Jimmy
24. Chicago Woman Blues - St. Louis Jimmy
25. Nervous Breakdown - St. Louis Jimmy
26. Old Age Has Got Me - St. Louis Jimmy

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FLAC - 680 Mb
http://www.filefactory.com/file/b3b06e3/n/sss.rar